Robocop #2 Review

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Robocop #2 | Writer: Joshua Williamson | Artist: Carlos Magno | Colorist: Marissa Louise | Letterer: Ed Dukeshire | Publisher: Boom! Studios | Price: $3.99 | From my column at Forces of Geek.com

Robocop was the first R-Rated movie I indulged in, long before I was deemed to be the appropriate age by the Motion Picture Film Association of America. Ah, babysitters can be a child’s best friend. I’ve always had an affinity for the story because of how it doesn’t take itself too seriously while taking everything else seriously to produce the story of a cybernetic law enforcement officer. Jumping from the silver screen to the page, the majority of Robocop comic books are horrible because they fail to capture, at least, the core essential elements of the titular character. I stress “at least” because there are other items in the series that create a consistent mythos for the tragic and heroic tale of Officer Alex J. Murphy. Continue reading “Robocop #2 Review”

Robocop vs. The Terminator HC Review

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Robocop vs. The Terminator HC | Writer: Frank Miller | Artist: Walt Simonson | Colorist: Steve Oliff | Publisher: Dark Horse Comics | Price: $24.99 | From my column @ Forces of Geek.com

I remember when the Frank Miller cybernetic crossover first hit comic book shelves in 1992. Seeing Walt Simonson’s vibrant and action-filled cover made me drool in anticipation. Unfortunately, my parents grounded me for some fifth-grade hijinks, which prevented me from reading comic books for almost a year.

I never went back to read it when my sentence ended, but thanks to Dark Horse Comics, I get to revel in a lost relic of my childhood.

The strength of this story lies in the portrayal of Robocop’s humanity. The fact that his existence leads to the creation of Skynet makes perfect sense and works flawlessly. The narration is informative and never takes the foot off the pedal when conveying the gravity of the situation.

Time travel storylines are either done very well or very poorly, and Miller seamlessly switches back and forth between timelines as futures and pasts consistently checkmate each other in an attempt to save their version of reality.

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Whoever coined the phrase less is more never saw Walt Simonson’s artwork as splash pages, and “Krunch” and “Gronk” moments kept my eyes glued to the page. Steve Oliff’s coloring brings a gritty sense of wonder and despair to these images.

This newly restored edition is perfect for those who want a good crossover with depth and awe and those who want to enjoy it again for the first time.

Score: 9 / 10

RoboCop Saves Sting From The Four Horsemen

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In honor of the RoboCop reboot hitting movie theaters today, I feel it’s only appropriate to reminisce about one of wrestling’s greatest moments. Ok, I’m joking. People hated it and its widely considered the most preposterous publicity stunt in the history of wrestling. As a nine-year-old kid who thought wrestling was real, I loved it. My imagination ran wild with possibilities as the cybernetic law enforcement officer found a new partner in a man called Sting. Continue reading “RoboCop Saves Sting From The Four Horsemen”